08 July 2019

The Covered Wagon -a 1923 Movie Review


Nature seems to smile a welcome
by Bill Miller for the Mail Tribune
Monday, July 8th 2019


Last week, I wrote about the excitement brought to Southern Oregon in 1924 by the silent motion picture “The Covered Wagon.”

The Mail Tribune gave surviving pioneers free tickets to a
performance, inspiring those aging folks to write dozens of stories about their wearisome treks across the Plains.

Oregon editorial writers, reporters and other folk who were much too young to have ever experienced a four-month walk across the continent, enthusiastically proclaimed the movie “the greatest America has ever produced. This is a good thing for Oregon. Nine out of 10 people east of the Appalachians don’t know whether Oregon is a national park or an outdoor sport.”
 
William Mason Colvig
William Colvig, one of Southern Oregon’s earliest pioneers strongly disagreed.

“I cannot entirely agree with you in regard to the advertising value to Oregon of the motion picture,” he said.

Nearly a year earlier, Colvig had attended the West Coast premiere of the movie at the Egyptian Theater in Hollywood (April 10, 1923).

“As I am one of the Argonauts that came to this state, I am presumptuous enough to believe that I am a better critic of that picture than those to whom it was submitted,” he said.

Colvig offered a long list of perceived inaccuracies in the production, starting with the gathering of the wagons in 1845 in Westport, what the film said was the name of Kansas City at the time.
William Mason Colvig

“Humbug,” Colvig said. “I don’t know what it was called in 1845, but we lived within six miles of that place continuously from 1847 until we left in 1851. It was always known as Kaw Landing, it being at the mouth of the Kaw River.”

He noted that the 200 movie covered wagons were all covered in “snow white sheets” in the beginning, and, at the end of the movie, they were still just as gleaming white.

Yet, even worse than that, “Each wagon had a brake. Mankind had not yet devised such a useful contrivance.”

Most upsetting to Colvig was the differing portrayals of the pioneer arrivals in California and Oregon.

“There are some fine pictures shown of the California end of the journey, beautiful valleys and rich gold mines,” even though it was supposedly 1845 and the California Gold Rush wouldn’t start for three more years.


“Contrast that,” he said, “to the miserable ending on our Oregon Trail.”
 
"Oregon at Last"
The picture ended with wagons huddled together in a small mountain valley covered in a foot of snow. Mothers held babies and pleaded to the heavens, “Oh, my God. Will this journey never end?”

“Just then,” Colvig said, “a mountaineer appears, and to answer the women’s wails, he tells these travel-worn people, ‘Why, you’re already in Oregon.’

“Now really? No one ever knew the ground to be covered with snow in Oregon in early October.”

Colvig preferred that the movie show one of Oregon’s “fair valleys that border the sundown seas; a land of fertile soil, warmed by genial sun, and where nature seems to smile a welcome.”

What would the millions of people who would see the movie see instead?

“They will wonder why anyone would undergo the hardships, struggles and privations that were endured by these pioneers to reach such a miserable Godforsaken-looking place as that shown in the final picture.”

Even though Judge Colvig didn’t like the movie, like other pioneers, he penned an essay for the Mail Tribune about his crossing the prairie in 1851.

But, that, my friends, is a column for another day. See you then.

Writer Bill Miller is the author of “History Snoopin’,” a collection of his previous history columns and stories. Reach him at newsmiller@live.com or WilliamMMiller.com.
https://mailtribune.com/lifestyle/nature-seems-to-smile-a-welcome

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